The radicalisation puzzle

This week I have not been able to stop thinking about an article I read called “The Radicalization Puzzle: A Theoretical Synthesis of Empirical Approaches to Homegrown Extremism.” Examining homegrown Islamic terrorism in Europe, the article from Hafez and Mullins synthesises the pieces of the puzzle that lead people (mostly young men, but increasingly women) toward radicalisation.

Hafez and Mullins argue that we cannot see radicalisation as a ‘process’. Much of the literature around radicalisation sees it through this lens, attempting to find the ‘steps’ that people go through in order to become radicalised. This, approach, they argue “implies an orderly sequence of steps or procedures that produce an output.” Instead, they argue:

“the absence of a clear pattern or pathway to radicalization is precisely what is frustrating scholars and intelligence analysts alike. Reality is far too complex for a single, parsimonious explanation — and certainly not one that could yield predictive power to help identify budding radicals on the path to violent extremism.”

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On the politics of Joker

WARNING: SPOILERS AHEAD

Over the weekend I saw Joker with a friend. The movie has been controversial to say the least. Despite the connections the commentary has had with my research interests I’ve been hesitant to write anything about it. Now that I’ve seen it for myself, boy do I have some feelings. 

But first off, I feel it is a shame that I and so many others are spending more time engaging with the commentary around this movie instead of engaging with the movie itself. As a piece of art, Joker was incredible. The movie left me feeling shaken and speechless. The cinematography was stunning, Joaquin Phoenix was mesmerising, and the script left me feeling both emotionally wrecked yet driven to discuss it with everyone I know. In short, it is a masterpiece. 

Many critics have written about the artistic merits of the film – I especially recommend Luke Buckmaster’s excellent review. But for me, it is the politics that drive my interest in this movie. 

Much has been written about what Joker is about, and a lot of it has missed the mark. I’m going to start my analysis about what Joker is not. 

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Book Review: See What You Made Me Do by Jess Hill

I just finished the excellent book See What You Made Me Do by the journalist Jess Hill. See What You Made Me Do is an in depth investigation into domestic abuse in Australia, written by a journalist who has spent years covering the topic, and who brings a lot of expertise into the field.

The book is comprehensive. There are so many interesting parts, and I found the sections on why women stay in abusive relationships, alongside the section on domestic abuse in indigenous communities (and the failures of the police to deal with this in any way at all) particularly powerful. Today however I want to focus on the three chapters (chapters 3 – 5) which focus on why men commit domestic abuse.

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