Following five couples whose families stand in the way of their dream weddings, this conflict-obsessed drama deals with subject matter that’s ripe and relevant, which makes its failure all the more depressing.
It seemed the limits had been reached for reality TV last year when Nine released The Briefcase – a TV show widely condemned as “exploitative” and “poverty porn”. When Channel Seven announced the release of Bride and Prejudice: The Forbidden Weddings, I hoped they’d attempted to do something different with the genre. Unfortunately I’ve been disappointed yet again.
Bride and Prejudice follows five couples as they organise their dream weddings. There is, however, one thing standing in their way: their families.
In episode one we are introduced to three of the five pairings: Donny and Marina, Courtney and Brad, and Grant and Chris. Marina’s mum, who is Russian, does not want her daughter to marry someone with Donny’s cultural background. Brad’s mother thinks he is marrying too young. Chris’s parents, who are Jehovah’s Witnesses, believe his homosexuality is a sin. The show follows its stars from the moments of engagement until their big days, asking all along whether their parents will give up their prejudices to support their children’s happiness.